Jessamyn West, in her December 10, 2007, blogpost, commented on a Slate article about Yahoo Answers. That was my introduction to that site. For a reference librarian, it's pretty interesting stuff. I signed up and started answering questions. My library is a specialized one, so there's only a limited range of reference questions. The questions on Yahoo Answers are closer to those asked at a public library desk; I find the broader range a nice change.
My observations after just a few days (also posted, more or less the same, as a response to West's post:)
Many of the questions on Yahoo answers could be answered with an online search (Barney or some other one -- see my 10Oct07 post for use of Barney.) I'm not sure why those posting didn't try that -- but, then, maybe they did, but had little success due to misspellings, which are surprisingly common in the queries. As the old question goes, how can you find a spelling in a dictionary if you can't spell the word?
Many of the questions are "ready reference" -- librarian talk for a reference question that can be answered with a quick look-up. A phone call to a local library would seem to work as well as a posting. That service would seem to be one in need of some marketing by libraries.
Just as in a public library, some questioners online want all their homework done for them, including assignments that ask for essays, not just factoids. One responder to a question in the former category outlined how the questioner ("asker" in Yahoo terms, grrrrrrr) could approach the assignment. I hope the questioner rated that response highly. Of course, as any public librarian knows, a lot of parents come in to do their kids homework for them. Or at least to check out the books with the answers. Maybe it's an improvement to have the kids themselves posting the questions?
In library school, a friend joked that there are five answers that can be used to answer all reference questions: the only one of the five I remember is "a member of the carrot family" -- my friend claimed she used that to answer any questions from her mother about the identity of a plant. So far I haven't had a chance to use it, but maybe it will come in handy soon.
Thursday, December 13, 2007
Wednesday, December 5, 2007
Remembering a Little Girl in Bamiyan, Afghanistan, with Donations to the Central Asia Institute.
In September of 1978 I was in Afghanistan as part of a London-Kathmandu overland trip with a British firm -- the coward's way of following the hippie trail. From Kabul we went up to Bamiyan. I decided I would skip a day-trip from Bamiyan to Lake Band-i-Amir (spelling can vary) and wound up instead joining another traveller I met at our inn in clambering around the hills surrounding Bamiyan Valley: in retrospect, more than stupid, as at one point we were above the valley, holding onto a cliff-side and moving sideways on a trail a goat might have had difficulty navigating. Fortunately, neither of us fell, (or, to be really honest, fortunately, I didn't fall -- after all, I had only met him the day before.) Walking back through the fields to the town after we survived, we met a small girl going home from school. She proudly showed us her slate, and our mutual incomprehension of the other's language didn't allow for much more, other than smiles. I've always remembered her, however, so proud of that slate.
Decades passed, wars came and went and came back, the Taliban blew up Bamiyan's giant Buddhas, women who weren't already wearing them were forced into burquas, and, in 1993, Greg Mortenson started climbing K2, the second-highest mountain in the world, in Pakistan. Injured in the climb, he was nursed back to health by the villagers in a small town. He promised them he would build them a school in appreciation, and, with Dr. Jean Hoerni, founded the non-profit Central Asia Institute to build schools in remote areas, first, in Pakistan, and then also in Afghanistan. One of the requirements for a village obtaining a school is that it be used to educate girls as well as boys.
More time passed, and one of the Sunday newspaper magazine-type supplements had a story about the Central Asia Institute. I immediately remembered the little girl in Bamiyan, whose fate I had always wondered about (and still do wonder about,) so I made my first donation to the Institute. One of the pleasant things about donating to it is that it's one of the very few (heck, maybe it's the only) non-profit I have ever donated to that doesn't then inundate a donor with mailings. Yes, they send the occasional one (maybe two a year?) but I feel that a larger percentage of my donations are going to the project than is the case with non-profits razing whole forests to make the paper for their appeals.
Mortenson's story, and that of the Central Asia Institute, has now been published: Three Cups of Tea: One Man's Mission to Promote Peace, One School at a Time. It's been on the NY Times bestseller list for about ten months so far, and is available in paperback. I recommend it, along with donations to the Institute. I want other little girls to be proud of their school slates.
Decades passed, wars came and went and came back, the Taliban blew up Bamiyan's giant Buddhas, women who weren't already wearing them were forced into burquas, and, in 1993, Greg Mortenson started climbing K2, the second-highest mountain in the world, in Pakistan. Injured in the climb, he was nursed back to health by the villagers in a small town. He promised them he would build them a school in appreciation, and, with Dr. Jean Hoerni, founded the non-profit Central Asia Institute to build schools in remote areas, first, in Pakistan, and then also in Afghanistan. One of the requirements for a village obtaining a school is that it be used to educate girls as well as boys.
More time passed, and one of the Sunday newspaper magazine-type supplements had a story about the Central Asia Institute. I immediately remembered the little girl in Bamiyan, whose fate I had always wondered about (and still do wonder about,) so I made my first donation to the Institute. One of the pleasant things about donating to it is that it's one of the very few (heck, maybe it's the only) non-profit I have ever donated to that doesn't then inundate a donor with mailings. Yes, they send the occasional one (maybe two a year?) but I feel that a larger percentage of my donations are going to the project than is the case with non-profits razing whole forests to make the paper for their appeals.
Mortenson's story, and that of the Central Asia Institute, has now been published: Three Cups of Tea: One Man's Mission to Promote Peace, One School at a Time. It's been on the NY Times bestseller list for about ten months so far, and is available in paperback. I recommend it, along with donations to the Institute. I want other little girls to be proud of their school slates.
Labels:
Afghanistan,
Bamiyan,
Greg Mortenson,
hippie trail,
Three Cups of Tea
Saturday, December 1, 2007
Autobody painting at home, thanks to science, magic, or technology
A few days ago I artfully managed to scrape my bumper as I pulled into a parking space. The bumper wasn't dented, but there was metal showing.
Looking for a paint touch-up, I went to the California State Automobile Association website to see what they had listed under companies giving discounts to CSAA members.
And there, dear reader, I discovered Dentpro. As with most things remotely related to technology (or science, or magic,) I am probably the last to learn of this type of service. Dentpro will send a van to where your car is (house or office) and repair small dents or do small painting touchups. Yes, they make house calls! And I got 10% off for being a CSAA member!
For me, the whole thing worked perfectly. I called on Thursday, November 29th, my call was forwarded to a local Dentpro franchise, and that franchise could come the very next day, hurrah hurrah. I was off the 30th because I'm working today. It took the tech less than an hour to paint, and the color matches perfectly. It is now the best looking part of my otherwise dusty car. He ran a tad late in arriving, but called to let me know -- I can wait for anyone if they will just tell me what's happening.
In any event, I was't going anywhere anyway. Yesterday was a banner day at the bibliotecaria's house (or should that be casa?) In addition to the painting, I had new windows/patio doors installed. Being locked in the bathroom during the window/door work and hearing strange loud noises traumatized my faithful cat; the loud noises traumatized me too, so I sat outside in my newly-painted car.
All in all, a very satisfactory day -- not as much fun for the money, as, say, joining the statistically inept in a casino (phrase is from The Economist's November 30, 2007, article on Indian casinos in California,) but, of course, better in the long run.
Postscript: looking for the wesite to create the link to The Economist, I first entered http://www.theeconomist.com/ -- try it to see an economist who hasn't heard that economics is the dismal science.
Looking for a paint touch-up, I went to the California State Automobile Association website to see what they had listed under companies giving discounts to CSAA members.
And there, dear reader, I discovered Dentpro. As with most things remotely related to technology (or science, or magic,) I am probably the last to learn of this type of service. Dentpro will send a van to where your car is (house or office) and repair small dents or do small painting touchups. Yes, they make house calls! And I got 10% off for being a CSAA member!
For me, the whole thing worked perfectly. I called on Thursday, November 29th, my call was forwarded to a local Dentpro franchise, and that franchise could come the very next day, hurrah hurrah. I was off the 30th because I'm working today. It took the tech less than an hour to paint, and the color matches perfectly. It is now the best looking part of my otherwise dusty car. He ran a tad late in arriving, but called to let me know -- I can wait for anyone if they will just tell me what's happening.
In any event, I was't going anywhere anyway. Yesterday was a banner day at the bibliotecaria's house (or should that be casa?) In addition to the painting, I had new windows/patio doors installed. Being locked in the bathroom during the window/door work and hearing strange loud noises traumatized my faithful cat; the loud noises traumatized me too, so I sat outside in my newly-painted car.
All in all, a very satisfactory day -- not as much fun for the money, as, say, joining the statistically inept in a casino (phrase is from The Economist's November 30, 2007, article on Indian casinos in California,) but, of course, better in the long run.
Postscript: looking for the wesite to create the link to The Economist, I first entered http://www.theeconomist.com/ -- try it to see an economist who hasn't heard that economics is the dismal science.
Tuesday, November 27, 2007
A Puritan Contribution to a Complaints Choir Song
So, over Thanksgiving at my sister's, I watched some YouTube videos of Complaints Choirs (see November 8, 2007 post for info and links on Complaints Choirs.) Birmingham, England, wins hands down -- we were singing along with the chorus; the St. Petersburg, Russia, choir seems to have a lot of issues with love; the small island off/in British Columbia really doesn't like tourists; Penn State's choir probably cracks up those on campus, but doesn't do much for others (i.e., my sister and me;) the Helsinki choir's song was good, but nobody much seemed to smile; the Chicago choir was a trailer for a future video. Thanks to whoever did all the subtitles.
I thought of complaints choirs today when reading my transit book: Eve LaPlante's Salem Witch Judge: The Life and Repentance of Samuel Sewall (NY: HarperOne, 2007.) Sewall was one of the Salem witch trial judges, and the only one to repent of his role. His public repentenance is pictured in the mural in the Chamber of the House of Representatives in the Massachusetts State House, with the title "1697 Dawn of Tolerance in Massachusetts Public Repentance of Judge Samuel Sewall for his Action in the Witchcraft Trials."
Salem Witch Judge is a fascinating book, and it's making me realize how little I know about the trials. For instance, the persons who were executed were the ones who asserted their innocence; those who admitted witchcraft were not executed. (Read the book to find out why.) Giles Corey, who refused to answer any questions, or to enter any plea, remained silent to protect his property from confiscation. He was pressed to death in an unsuccessful attempt to obtain a plea. (Maybe waterboarding would have worked better?)
The complaints choir aspect came in with respect to Sewall's poem for the new century (the 18th): the first verse reads: Once More! Our God, vouchsafe to shine: Correct the coldness of our clime. Make Haste with Thy impartial light, And terminate this long dark night." (p. 231.) Even the Puritans could complain about winter.
Post-Salem trials, Sewall wrote the first anti-slavery tract in the colonies; he's considered the first poet to write about the American landscape as an American, rather than a displaced English citizen; and (I haven't read this far yet) he started to think of women as the equals of men. (What was the world coming to?)
Ever the teensiest, lady-like, bit of a complaint about this book: IT DOESN'T HAVE ANY FOOTNOTES! This drives me crazy. One example: at one point the author is quoting Perry Miller, a 20th-century author, about Samuel Sewall's writings. There is a bibliography in the book, but Miller has five entries. There is no way to tell from the titles which one would have the quote. I'd like to read a bit more about Sewall's writings and his position in colonial literature (about which I currently know nothing,) but I'm going to have to first find the books, then see if they deal with what I want. It would have been nice if the author could at least have included a date ("Perry, in [date] noted ....") or something like that. I'll bet Samuel Sewall gave his sources.
I thought of complaints choirs today when reading my transit book: Eve LaPlante's Salem Witch Judge: The Life and Repentance of Samuel Sewall (NY: HarperOne, 2007.) Sewall was one of the Salem witch trial judges, and the only one to repent of his role. His public repentenance is pictured in the mural in the Chamber of the House of Representatives in the Massachusetts State House, with the title "1697 Dawn of Tolerance in Massachusetts Public Repentance of Judge Samuel Sewall for his Action in the Witchcraft Trials."
Salem Witch Judge is a fascinating book, and it's making me realize how little I know about the trials. For instance, the persons who were executed were the ones who asserted their innocence; those who admitted witchcraft were not executed. (Read the book to find out why.) Giles Corey, who refused to answer any questions, or to enter any plea, remained silent to protect his property from confiscation. He was pressed to death in an unsuccessful attempt to obtain a plea. (Maybe waterboarding would have worked better?)
The complaints choir aspect came in with respect to Sewall's poem for the new century (the 18th): the first verse reads: Once More! Our God, vouchsafe to shine: Correct the coldness of our clime. Make Haste with Thy impartial light, And terminate this long dark night." (p. 231.) Even the Puritans could complain about winter.
Post-Salem trials, Sewall wrote the first anti-slavery tract in the colonies; he's considered the first poet to write about the American landscape as an American, rather than a displaced English citizen; and (I haven't read this far yet) he started to think of women as the equals of men. (What was the world coming to?)
Ever the teensiest, lady-like, bit of a complaint about this book: IT DOESN'T HAVE ANY FOOTNOTES! This drives me crazy. One example: at one point the author is quoting Perry Miller, a 20th-century author, about Samuel Sewall's writings. There is a bibliography in the book, but Miller has five entries. There is no way to tell from the titles which one would have the quote. I'd like to read a bit more about Sewall's writings and his position in colonial literature (about which I currently know nothing,) but I'm going to have to first find the books, then see if they deal with what I want. It would have been nice if the author could at least have included a date ("Perry, in [date] noted ....") or something like that. I'll bet Samuel Sewall gave his sources.
Monday, November 19, 2007
Highjacked Mirror
On Sunday, November 18th, someone highjacked my non-work, free, email account, and locked me out.
The highjacker then sent an email from my address that, summarized, says that I am about to leave for Africa to join others working to fight any one of three different problems, in three possible countries, one of which is Nigeria. (Ring any alarms to you?) The email (of course) asks for money: specifically, it asks the recipeient to "borrow me" $1500. The spelling, syntax, and grammar are all a lot poorer than in my own writing.
I first learned of this from my sister, who humorously called to ask if I were still coming for Thaksgiving. I then had calls from two other people, and, today, had all sorts of emails, most but not all in response to my email alerting people to the highjacking.
This experience is serving as a mirror, showing how I am seen by others. I now know that I am seen by some friends/acquaintances as someone who could pop off to Africa, at what seems at least to me to be the last minute, to work on a service project. I'm glad to know that I am easily seen as public spirited and international.
On the other hand, I am a bit crabby that those same people who assumed I really am going on this trip also accepted that I could write something with so many mis-spellings and errors in both grammar and syntax. "Borrow me" some money? Give me a break - I don't write like that. Bad mirror!
Of course, if those friends who believed the post would go ahead and send me the requested money at home, I could forgive them their acceptance of me as the author of the post. (New mirror: devious schemer.)
The highjacker then sent an email from my address that, summarized, says that I am about to leave for Africa to join others working to fight any one of three different problems, in three possible countries, one of which is Nigeria. (Ring any alarms to you?) The email (of course) asks for money: specifically, it asks the recipeient to "borrow me" $1500. The spelling, syntax, and grammar are all a lot poorer than in my own writing.
I first learned of this from my sister, who humorously called to ask if I were still coming for Thaksgiving. I then had calls from two other people, and, today, had all sorts of emails, most but not all in response to my email alerting people to the highjacking.
This experience is serving as a mirror, showing how I am seen by others. I now know that I am seen by some friends/acquaintances as someone who could pop off to Africa, at what seems at least to me to be the last minute, to work on a service project. I'm glad to know that I am easily seen as public spirited and international.
On the other hand, I am a bit crabby that those same people who assumed I really am going on this trip also accepted that I could write something with so many mis-spellings and errors in both grammar and syntax. "Borrow me" some money? Give me a break - I don't write like that. Bad mirror!
Of course, if those friends who believed the post would go ahead and send me the requested money at home, I could forgive them their acceptance of me as the author of the post. (New mirror: devious schemer.)
Friday, November 16, 2007
Thank you Oracle for Free4All
On Saturday, November 10th, Oracle sponsored Free4All, free admission to twelve museums located in what Leah Garchik of the San Francisco Chronicle calls (and the rest of us should call) Culture Gulch, the area around 3rd and Mission, more or less. Hats off to Oracle, even if they may have done this just to make up for the inconvenience of closing a block or two of Howard Street for a week for its annual (or is it semi-annual: surely they just had one) conference.
One of the musuems I visited that day was the Musuem of the African Diaspora (MoAD.) The two floors of exhibit space were devoted entirely (as far as I could tell: I am eminently able to miss small rooms off to one side) to "Hungry Planet: What the World Eats." This has little to do with the African diaspora, but is fascinating. The exhibit consists of large color photos of families from around the world, seated/standing with a full week's purchases of food, both groceries and takeout. Text tells a bit about the family, and lists everything purchased, with prices in US dollars. A small exhibit included shots of fast food places around the world -- mostly US firms, but some local ones.
The galleries were crowded, probably due to the free day (well, that's why I was there,) and there were lots of families. Some parents used different photos to point out to their child/children that not everyone has as much to eat as we do in this country. Among the adults, there was lots of conversation too. It was all fascinating, even to a non-foodie like me. I recommend this exhibit, but there's also a companion book, which won the 2006 James Beard Foundation Book Award, in case you can't get to the museum. The exhibit continues through January 20, 2008.
One of the musuems I visited that day was the Musuem of the African Diaspora (MoAD.) The two floors of exhibit space were devoted entirely (as far as I could tell: I am eminently able to miss small rooms off to one side) to "Hungry Planet: What the World Eats." This has little to do with the African diaspora, but is fascinating. The exhibit consists of large color photos of families from around the world, seated/standing with a full week's purchases of food, both groceries and takeout. Text tells a bit about the family, and lists everything purchased, with prices in US dollars. A small exhibit included shots of fast food places around the world -- mostly US firms, but some local ones.
The galleries were crowded, probably due to the free day (well, that's why I was there,) and there were lots of families. Some parents used different photos to point out to their child/children that not everyone has as much to eat as we do in this country. Among the adults, there was lots of conversation too. It was all fascinating, even to a non-foodie like me. I recommend this exhibit, but there's also a companion book, which won the 2006 James Beard Foundation Book Award, in case you can't get to the museum. The exhibit continues through January 20, 2008.
Thursday, November 15, 2007
Good heavens -- I found someone who's not in Wikipedia
Plowing my way through a list of books in our library ( well, ok, to be honest, through our card catalog, what remains of it,) I found a great title: Impressions of Dante and of the New World, with a Few Words on Bimetallism, by John Walter Cross, 1840-1924. (Edinburgh: Blackwood, 1893.) Like some bloggers today (moi?) Mr. Cross obviously free associated all over the place.
A Barney search (see October 9, 2007, post for explanation of term) produced a manuscript collection in Cambridge University, but nothing else for this particular John Walter Cross, although a number of hits for others of the same name.
Hence the title: not in Wikipedia. I had begun to think that everyone could be found there. Does this mean Mr. Cross is excruciatingly dull, inadequately infamous, or just plain forgotten today? His book title is so odd I'd like to learn more. Guess I will have to turn to some print sources.
A Barney search (see October 9, 2007, post for explanation of term) produced a manuscript collection in Cambridge University, but nothing else for this particular John Walter Cross, although a number of hits for others of the same name.
Hence the title: not in Wikipedia. I had begun to think that everyone could be found there. Does this mean Mr. Cross is excruciatingly dull, inadequately infamous, or just plain forgotten today? His book title is so odd I'd like to learn more. Guess I will have to turn to some print sources.
Labels:
John Walter Cross,
wikipedia
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